- #Sibelius music notation software reviews full
- #Sibelius music notation software reviews software
- #Sibelius music notation software reviews plus
#Sibelius music notation software reviews software
Over the last 10 years, Sibelius Software have built a reputation for providing what most musicians consider to be the leading scorewriting software. And yes, the notes are meant to be funny. It’s also possible to hide objects in either the score or the parts, which is ideal for providing cues in parts.Sibelius 3 in all its glory. As such, it’s possible to optimise a score for the conductor and the parts for the performers – perhaps expanding complex bars in the parts but keeping them compact in the score. However, changing the position of objects in the part doesn’t affect the score. Similarly, changing note values and adding and deleting objects in a part does the same on the score. Rather than extract a part, edit it and save it as a different file, parts are now embedded in the main file, which means that any changes made to the score are immediately reflected in the parts.
#Sibelius music notation software reviews full
Being able to extract parts from a full score is an inherent benefit of any notation software, but Sibelius 4 takes this concept a stage further. However, this doesn’t stop them being both well executed and hugely beneficial. Having already honed score design to near-perfection, version 4 concentrates largely on ancillary features. Sibelius’ MIDI file import would benefit from some quantise and note overlap removal options – we found that imported data tended to produce complex, messy scores that were easier to redo manually than to tidy up. Of these methods, the MIDI keyboard proved most efficient. Note input is also possible with the mouse, via a MIDI keyboard or by importing a MIDI file. The number pad selects note lengths, accidentals, ties, accents and staccato symbols, and a virtual number pad appears as a window onscreen to function as a memory aid and for notebook users.
Click a letter from A to G to add a note, S to add a slur, H for a hairpin crescendo. Certainly, the mouse is well used, but it’s the wealth of keyboard shortcuts that gives Sibelius its lightning-fast operation. The ability to drag any object to a new location may lead you to think this is a mouse-driven interface. The third key ingredient to Sibelius’ success is its elegant user interface.
#Sibelius music notation software reviews plus
There’s support for alternative note heads, free rhythm bars, rehearsal marks, ossia staffs, guitar TAB, accordion fingering – basically, everything we could think of is there, plus plenty more besides. Sibelius’ rules for automatic layout are available for editing, right down to the defaults for positions of time signatures and the curvature of slurs. Customisation isn’t limited to moving single objects either. If you don’t like the position of something, whether it’s a note, dynamic marking, stave or complete system, simply drag it to a new location.
It’s a little disappointing these aren’t remedied automatically, but this also highlights another of Sibelius’ strengths: virtually unlimited customisation. There are a few areas in which the automatic layout needs a little help, such as when notes or other markings on one stave clash with those in the stave above or below, or when dynamics markings clash with low notes. Bars automatically expand and contract to suit the overall page layout, and the software will even align rests to the bottom of the page to help with page turns. Give Sibelius notes to display and it will do so clearly and attractively, whether they’re melodies with lyrics or complex polyrhythms and note clusters. There are three key areas that facilitate this. The result is an application that not only gives users meticulous control over the notation process, but also makes that process amazingly efficient. The attention to detail in every aspect of score design and formatting is beyond rebuke.
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